According to director Judd Apatow's family values, beautiful women drag men into adulthood. Then what?
Last night I finally saw Knocked Up, Judd Apatow's hilarious new movie, a raunchfest with a family-values core --- carrying on with accidental pregnancies, marriage as responsible adulthood, staying together for the sake of the kids. I'm not going to get into that here, except to second Dana Stevens' great piece in Slate on Hollywood and TV's cowardice about abortion (referred to in Knocked Up by the hero's slacker roommate as "rhymes with shmashmortion" and, by the heroine's ice-cold mother, as "taking care of it").As she points out, legions of single women in their twenties who get pregnant accidentally like Alison (Katherine Heigl) or Jenna (Keri Russell) in Waitress, have abortions; on the big or small screen, they have miscarriages or babies. In the movies, I might add, accidental babies solve the very issues (men, work, money, dreams) that, in real life, they often worsen. Jenna gives birth, dumps her abusive ox of a husband, wins the baking contest he'd barred her from entering and opens her own pie diner. Alison falls in love with Ben (Seth Rogen), her one-night drunken stand, and, after spending the whole movie hiding her pregnancy to keep her celebrity-reporting job at E!, gets outed -- and promoted. Pregnancy polls really well-- who knew?
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