THE night before last week’s Senate hearings on our “progress” in Iraq, a goodly chunk of New York’s media and cultural establishment assembled in the vast lobby of the Museum of Modern Art. There were cocktails; there were waiters wielding platters of hors d’oeuvres; there was a light sprinkling of paparazzi. Then there was a screening. We trooped like schoolchildren to the auditorium to watch a grueling movie about the torture at Abu Ghraib.
Not just any movie, but “Standard Operating Procedure,” the new investigatory documentary by Errol Morris, one of our most original filmmakers. It asks the audience not just to revisit the crimes in graphic detail but to confront in tight close-up those who both perpetrated and photographed them. Because Mr. Morris has a complex view of human nature, he arouses a certain sympathy for his subjects, much as he did at times for Robert McNamara, the former defense secretary, in his Vietnam film, “Fog of War.”
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